Extra Individuals Have to Watch This Slick Netflix Cyberpunk Thriller

To be completely frank, the opening 20 minutes of 2019’s I’m Mom underwhelmed me. It begins with a prologue written to present you a way of the movie’s barely cliche, dystopian setting: a future the place civilization peaks at singularity and finally meets its fall. Then, it heads right into a montage constructed to current its sparse solid: a sentient-sounding robotic and a younger lady who stay on sterile, house station-esque premises.

I, a self-proclaimed science-fiction film connoisseur and annoying ending predictor, was satisfied I knew the place this was going. It was giving me flashbacks of Moon (2009), Infinity Chamber (2016) and actually a couple of scenes from 2001: A House Odyssey (1968). I truly paused the movie at one level to double-check Rotten Tomatoes to make sure I wasn’t hallucinating after I noticed its 91% ranking.

But nothing may have ready me for the disturbing, existential movie that’s I Am Mom.

Going into this film with out having seen any trailers and studying solely a minimal abstract of its premise was in all probability key to my enjoyment, so I hesitate to present an excessive amount of away. 

All you should know is director Grant Sputore paints an image of a post-apocalyptic world through which there appears to be two sole survivors: a teenage lady, performed by Clara Rugaard-Larsen, and her robotic “mom,” voiced by Rose Byrne. Collectively, they co-exist in a kind of high-tech bunker — a constructing neither is allowed to depart as a result of Mom says the skin world is poisonous and unkind to people. 

However sooner or later an “outdoors” girl, performed by Hilary Swank, finds her means in. 

Because the story unfolds, you begin to notice one thing is not fairly proper with Mom and Daughter’s unlikely friendship, although it is not till the top when items of the puzzle actually begin snapping into place. 

A robot sits on the right, across a table from a girl who is on the left.

I Am Mom (2019)


I Am Mom can also be completely carried by its solid. 

Completely gripping performances by Byrne and Rugaard-Larsen foster an plain on-screen chemistry. They mirror the nuanced relationship between human and AI convincingly sufficient to make me full-on take into account whether or not I ought to worry or respect issues like ChatGPT and Amazon Alexa, each of which technically stay in my home. 

There was a second the place I vividly felt my perspective of the movie’s occasions change, regardless of nothing tangible scary that change. And I think that every individual’s “second” like mine might be distinctive, primarily based upon their very own notion of life. 

I understand how cagey this sounds, however you may see what I imply.

This film additionally manages to maintain you engaged with expertly crafted and tense sequences all through. (Even throughout these preliminary 20 minutes I did not love, I could not peel my eyes away from the display.) Although concurrently, it explores a swath of intriguing philosophical questions on what it means to be alive. 

You may end up questioning if robots can actually be skilled as sentient; if there’s an unshakable purpose “human” is the foundation phrase of “humanity;” and most significantly, if morality is clear-cut like a utilitarian may argue — or extra ambiguous like a deontological ethicist would. 

To that finish, nevertheless, I do really feel the movie left a couple of fascinating roads untaken. 

A holographic screen sits in the center of a room with an ethics thought experiment on it. A robot stands to the right and a girl is sitting in a classroom-like seat in front of the holographic screen.

I Am Mom (2019)


I typically felt distracted by I Am Mom’s pseudo-jump scares, action-and-adventure chase scenes and “what is going on to occur now!” cliffhangers, wishing the film targeted extra on its existential drama. I totally imagine this movie was wealthy sufficient in concepts to be a lot quieter, considerate and possibly much more experimental than it ended up being. 

As an example, Rugaard-Larson delivered an array of guttural feelings I believe the digicam may’ve lingered on for a couple of seconds longer to present the viewer time to digest why these feelings had been expressed. And the writers may’ve embedded Swank’s character with extra emotional nuance, seeing because it was purely her presence that disrupted Mom and Daughter’s total lives. More often than not, she presents as cautious and indignant. It is hinted at as to why she appears to be that means, however I might have favored to know extra about her motivations and backstory to firmly set up her nature. 

These “why” questions are in all probability essentially the most attention-grabbing a part of the film.

And I do know that is actually petty, however I additionally personally did not love the best way Mom’s robotic physique appeared. A few of her (its?) options — which I think the design workforce included to emulate facial expressions — had been complicated to decode and took me out of the zone at occasions. I imply, I felt way more related to Interstellar’s TARS, regardless of that robotic buddy actually being a few rectangular blocks caught collectively.

However trying again, it is not these minor setbacks that fill my reminiscence of I Am Mom. It is the aftertaste of all of the technological, existential dread this film compelled me to conjure.

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